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Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.

A tragicomic story about Michal, an introverted cashier who falls in love with a girl from a nearby flower shop, but his shy nature prevents him from making the first move. The tragicomic nature of Michal's story, in which fate and society constantly throw obstacles in his path, is further enhanced by his eccentric father and Michal's boss. Free Fall shows that being empathetic, kind, and accommodating does not necessarily mean being successful and popular.

Derek Blore, MP, enjoys both a happy successful political career and a sideline in the suburbs. When his two political lives become confused, with an added Russian complication, he finds a national scandal engulfing him.

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Amadeus Macků, the village postman, is an incorrigible dreamer obsessed with the desire to fly. He invents and builds his own hovercrafts, making himself a thorn in the side of his hillbilly neighbours. The group of pub chatterers are particularly annoyed by the wooden runway that the stubborn postman builds for his next experiment. But the guileless weirdo catches the eye of the local doctor, who has an acquaintance with a slick doctor from the big city...